Foxtrot Duo is a stereo filter with three vintage filter types.
1) A fat, rich ladder filter from the classic Moog designs of the '60 and '70s
2) A screaming Sallen-Key filter modelled on early Korgs, like the MS-20
3) A silky smooth state variable filter, based on the Oberheim SEM.
Each filter type can be continuously swept from Band Pass, through Low Pass to High Pass.
Each filter type sounds amazing – particularly when overdriven, plus there are rich modulation possibilities with two Cut Off CV inputs and a switchable Aux CV.
1) A fat, rich ladder filter from the classic Moog designs of the '60 and '70s
2) A screaming Sallen-Key filter modelled on early Korgs, like the MS-20
3) A silky smooth state variable filter, based on the Oberheim SEM.
Each filter type can be continuously swept from Band Pass, through Low Pass to High Pass.
Each filter type sounds amazing – particularly when overdriven, plus there are rich modulation possibilities with two Cut Off CV inputs and a switchable Aux CV.
Oscar Tria is inspired by classic synth oscillators from Moog, ARP and Roland, but with a modern twist. For a start, Oscar Tria is stereo, and it packs three modes into just 10HP.
1) 'Traditional' stereo oscillator with variable waveforms, two sub oscillators, through zero FM and hard sync.
2) Swarm oscillator with variable waveform for super, super-saws, super squares and everything in between. Plus you get a sub oscillator for a huge sound.
3) A flexible stereo Chord mode with 20 selectable chords (with CV control, of course), spread, and variable note count. Play pads using two CVs from your sequencer or just dial in chord stabs.
All modes have waveforms that can be continuously varied from saw through triangle to square, with adjustable pulse width and CV PWM.
1) 'Traditional' stereo oscillator with variable waveforms, two sub oscillators, through zero FM and hard sync.
2) Swarm oscillator with variable waveform for super, super-saws, super squares and everything in between. Plus you get a sub oscillator for a huge sound.
3) A flexible stereo Chord mode with 20 selectable chords (with CV control, of course), spread, and variable note count. Play pads using two CVs from your sequencer or just dial in chord stabs.
All modes have waveforms that can be continuously varied from saw through triangle to square, with adjustable pulse width and CV PWM.
Oscar DSF is like having a stereo FM VCO but without the hassle.
In fact, with just two main controls (with CVs) Oscar DSF can make the usual clangs and tings associated with FM oscillators, or it can sound like a traditional oscillator, or like nothing you've heard before. It can handle everything from fat bass sounds to searing leads, evolving ambient drones to weird sound effects.
Oscar DSF includes two oscillators, a great sounding sinusoidal wave folder and built-in VCA all in just 10HP.
In fact, with just two main controls (with CVs) Oscar DSF can make the usual clangs and tings associated with FM oscillators, or it can sound like a traditional oscillator, or like nothing you've heard before. It can handle everything from fat bass sounds to searing leads, evolving ambient drones to weird sound effects.
Oscar DSF includes two oscillators, a great sounding sinusoidal wave folder and built-in VCA all in just 10HP.
Alpha Duo is many things.
It's a precision stereo VCA, it's a stereo ring modulator and it's a stereo distortion/overdrive effect.
As a precision VCA it’s… well… it’s a VCA – two VCAs actually and you can never have too many VCAs.
Or it can be a ring modulator – again, two ring modulators actually.
Plus the VCA/ring mod then passes through a two mode overdrive/distortion effect, for soft, warm, tube style fuzz, or hard edged, gritty clipping – both of which happen to sound amazing with the Foxtrot Duo VCF and Oscar Tria VCO.
It's a precision stereo VCA, it's a stereo ring modulator and it's a stereo distortion/overdrive effect.
As a precision VCA it’s… well… it’s a VCA – two VCAs actually and you can never have too many VCAs.
Or it can be a ring modulator – again, two ring modulators actually.
Plus the VCA/ring mod then passes through a two mode overdrive/distortion effect, for soft, warm, tube style fuzz, or hard edged, gritty clipping – both of which happen to sound amazing with the Foxtrot Duo VCF and Oscar Tria VCO.
Doug is an envelope generator that can be an LFO, and an LFO that can be an envelope generator.
Create complex envelopes with Doug's unique six phase generator, or make rich LFO modulations by mixing multiple waveforms and noise.
Loop the envelopes, or single-shot the LFO. Trigger, gate and re-trigger both envelopes and LFOs.
Create complex envelopes with Doug's unique six phase generator, or make rich LFO modulations by mixing multiple waveforms and noise.
Loop the envelopes, or single-shot the LFO. Trigger, gate and re-trigger both envelopes and LFOs.
Foxtrot takes the three vintage filter types of Foxtrot Duo and turns them into a quad filter bank.
Each of the four Foxtrot channels can be a stand-along filter, or any channels can be linked to produce a complex sound shaping tool.
For instance, banks of resonant band passes can create formant or PS-3300 resonator style sounds. Or set each of the filters to ‘notch’ (half way between LP and HP) and sweep them together to make rich phasing effects.
Each of the four Foxtrot channels can be a stand-along filter, or any channels can be linked to produce a complex sound shaping tool.
For instance, banks of resonant band passes can create formant or PS-3300 resonator style sounds. Or set each of the filters to ‘notch’ (half way between LP and HP) and sweep them together to make rich phasing effects.
Alpha Pro is a quad VCA with two independent mix buses, two inputs per VCA, and stereo outputs, making a configurable mixer, or a sub mixer, or an effects send or… well, you decide.
Each VCA has two summed inputs, which are mixed together. The outputs of each VCA channel can be used independently (because you can never have too many VCAs) or switched to one of two mix buses.
And for extra fun, each channel features the overdrive/distortion effects from Alpha Duo, and the signal chain can be reconfigured using the included 2HP Alpha Switches.
Each VCA has two summed inputs, which are mixed together. The outputs of each VCA channel can be used independently (because you can never have too many VCAs) or switched to one of two mix buses.
And for extra fun, each channel features the overdrive/distortion effects from Alpha Duo, and the signal chain can be reconfigured using the included 2HP Alpha Switches.